#Emmanuel Guez by emmanuel guez | #hidden agenda | #minitel art | #artistic writing of philosophy | #businesscardism | #do you find this really sarcastic? | #screenshotism | #html [hypertext] | #140/twitter philo-poetry | #web bot solipsism | #gmappism | #post-egoportraitism | #art of opportunity | #infernal media theory | #nichtwirklichbecherismus | #web dramaturgy of human beings | #human bodies interaction | #appropriation of an exhibition program | #collaborative play writing | #installation&performance&photos&internet art&video | #heteronymic lifestyle | #photo | #sharingism (do share not war) | #top-down point of view | #post-google-translating poetry | #obscuration of an iconic and disappearing place | #self-mirrorism | #electronic literature | #art dada visualization | #google images endless recursion | #minitelism | #google data plagiarism | #satoshin science | #quantified urban landscape | #postproductivism (with a touch of nostalgia) | #exploration of the effects of writing machines | #3Ofism (appropriation Of photographs Of works Of art) | #ready-madism | #crypto-(poly)-identitism | #big data analysis | #IRC art | #google rank theatre | #appropriation | #media archaeology | #mp4 art | #mediarchaeological dating stories | #auction of a website on ebay | #unsaleable artwork | #human body digitization | #experimental reenactment | #techno-capitalism hack | #homage to on kawara | #writing machines | #digital art market | #web performance | #GANism | #afterlife writing | #art of conversation | #post-genderism | #facebook solipsism | #mp4.art | #ready-made | #text-image-data layout | #urban dancing people | #about bots | #web performance art | #almost-faked autobiographism | #video-recordism | #plagiarism of plagiarists | #near-automated motion capture | #authorship | #OhMyGodism | #blitz writing | #scrumology of s.c.u.mology | #blockchainism | #archaeology of the future of digital artworks | #artistic police method | #new olympia_ism | #disarchivism | #pre-metavers delirium | #self-portraitism | #digital conceptual art | #schizophrenic digital subjectivity | #internet poetry (blog) | #post-mortem web performance | #berlin voyeurism | #long-term performance | #post-chekovism | #web dramaturgy | #schlussmitismus | #media archaeology of bug | #world of art recursivitism | #scrumology for art | #Skype (chat) art | #crypto-telematic art | #facebook misanthropy | #tumblrism | #wordpress art & literature | #from screenshot to dibondism | #anti-solipsist spying | #portrait | #cybertime attention processing | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #happening in Venice | #pre-post-internet tracking | #praise of invisibility | #recursivitism | #digital telematic art reconstruction | #documentation of a disappearance | #entangled theory and performance | #google art | #narrative | #post-internet derivatives | #jpg patient capture | #mediarchaeologist happening | #electronic epic poetry | #world of contemporary art | #drone & top-down point of view | #google hack | #google rank poetry | #theatre | #art statements and namification | #installation art | #techno-vampirism | #google theatre | #archaeology of the phone booth | #feed & unbodied theatre | #net art | #waiting-for-godotism | #art and money |