#near-automated motion capture | #almost-faked autobiographism | #appropriation | #post-chekovism | #drone & top-down point of view | #screenshotism | #pre-metavers delirium | #art statements and namification | #IRC art | #google rank theatre | #techno-vampirism | #OhMyGodism | #net art | #blitz writing | #web performance art | #do you find this really sarcastic? | #tumblrism | #waiting-for-godotism | #anti-solipsist spying | #self-mirrorism | #post-mortem web performance | #media archaeology of bug | #art of conversation | #html [hypertext] | #afterlife writing | #heteronymic lifestyle | #web bot solipsism | #installation&performance&photos&internet art&video | #techno-capitalism hack | #writing machines | #cybertime attention processing | #experimental reenactment | #pre-post-internet tracking | #portrait | #archaeology of the future of digital artworks | #postproductivism (with a touch of nostalgia) | #electronic epic poetry | #google rank poetry | #satoshin science | #world of art recursivitism | #mp4.art | #web dramaturgy of human beings | #140/twitter philo-poetry | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #web performance | #digital art market | #authorship | #homage to on kawara | #Skype (chat) art | #narrative | #post-egoportraitism | #google hack | #mediarchaeologist happening | #crypto-(poly)-identitism | #world of contemporary art | #big data analysis | #google data plagiarism | #scrumology for art | #mediarchaeological dating stories | #artistic police method | #digital telematic art reconstruction | #collaborative play writing | #artistic writing of philosophy | #disarchivism | #unsaleable artwork | #art and money | #post-genderism | #art of opportunity | #post-google-translating poetry | #GANism | #text-image-data layout | #from screenshot to dibondism | #facebook solipsism | #sharingism (do share not war) | #happening in Venice | #urban dancing people | #jpg patient capture | #google images endless recursion | #plagiarism of plagiarists | #archaeology of the phone booth | #human body digitization | #theatre | #media archaeology | #businesscardism | #video-recordism | #schizophrenic digital subjectivity | #installation art | #google theatre | #post-internet derivatives | #scrumology of s.c.u.mology | #photo | #feed & unbodied theatre | #top-down point of view | #art dada visualization | #digital conceptual art | #crypto-telematic art | #appropriation of an exhibition program | #hidden agenda | #human bodies interaction | #long-term performance | #3Ofism (appropriation Of photographs Of works Of art) | #entangled theory and performance | #quantified urban landscape | #gmappism | #about bots | #self-portraitism | #mp4 art | #blockchainism | #auction of a website on ebay | #documentation of a disappearance | #facebook misanthropy | #internet poetry (blog) | #google art | #web dramaturgy | #ready-madism | #exploration of the effects of writing machines | #minitel art | #schlussmitismus | #Emmanuel Guez by emmanuel guez | #wordpress art & literature | #ready-made | #minitelism | #praise of invisibility | #obscuration of an iconic and disappearing place | #new olympia_ism | #nichtwirklichbecherismus | #infernal media theory | #recursivitism | #berlin voyeurism | #electronic literature |