#facebook misanthropy | #recursivitism | #theatre | #nichtwirklichbecherismus | #narrative | #post-google-translating poetry | #mp4 art | #art and money | #jpg patient capture | #experimental reenactment | #appropriation of an exhibition program | #writing machines | #quantified urban landscape | #GANism | #electronic literature | #post-genderism | #minitel art | #facebook solipsism | #art statements and namification | #heteronymic lifestyle | #big data analysis | #disarchivism | #Skype (chat) art | #anti-solipsist spying | #tumblrism | #businesscardism | #pre-metavers delirium | #art of opportunity | #techno-capitalism hack | #techno-vampirism | #post-mortem web performance | #almost-faked autobiographism | #human body digitization | #postproductivism (with a touch of nostalgia) | #mediarchaeological dating stories | #web performance | #happening in Venice | #art dada visualization | #near-automated motion capture | #scrumology for art | #screenshotism | #web performance art | #web dramaturgy | #top-down point of view | #IRC art | #google art | #mp4.art | #crypto-telematic art | #internet poetry (blog) | #art of conversation | #artistic writing of philosophy | #pre-post-internet tracking | #photo | #world of contemporary art | #self-mirrorism | #google theatre | #about bots | #Emmanuel Guez by emmanuel guez | #gmappism | #berlin voyeurism | #cybertime attention processing | #scrumology of s.c.u.mology | #self-portraitism | #do you find this really sarcastic? | #archaeology of the phone booth | #plagiarism of plagiarists | #portrait | #world of art recursivitism | #mediarchaeologist happening | #post-chekovism | #net art | #video-recordism | #ready-made | #documentation of a disappearance | #post-internet derivatives | #collaborative play writing | #digital conceptual art | #human bodies interaction | #entangled theory and performance | #google rank theatre | #3Ofism (appropriation Of photographs Of works Of art) | #installation&performance&photos&internet art&video | #unsaleable artwork | #installation art | #google rank poetry | #text-image-data layout | #wordpress art & literature | #post-egoportraitism | #OhMyGodism | #new olympia_ism | #homage to on kawara | #infernal media theory | #media archaeology of bug | #schlussmitismus | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #feed & unbodied theatre | #html [hypertext] | #google hack | #auction of a website on ebay | #exploration of the effects of writing machines | #long-term performance | #satoshin science | #blitz writing | #hidden agenda | #media archaeology | #urban dancing people | #web bot solipsism | #google data plagiarism | #from screenshot to dibondism | #crypto-(poly)-identitism | #blockchainism | #drone & top-down point of view | #praise of invisibility | #archaeology of the future of digital artworks | #obscuration of an iconic and disappearing place | #ready-madism | #waiting-for-godotism | #web dramaturgy of human beings | #google images endless recursion | #artistic police method | #schizophrenic digital subjectivity | #minitelism | #authorship | #afterlife writing | #140/twitter philo-poetry | #sharingism (do share not war) | #digital telematic art reconstruction | #digital art market | #appropriation | #electronic epic poetry |