Tags
#berlin voyeurism | #digital telematic art reconstruction | #OhMyGodism | #artistic police method | #entangled theory and performance | #google hack | #crypto-(poly)-identitism | #ready-madism | #artistic writing of philosophy | #text-image-data layout | #google rank poetry | #ready-made | #postproductivism (with a touch of nostalgia) | #mp4 art | #plagiarism of plagiarists | #authorship | #world of art recursivitism | #installation&performance&photos&internet art&video | #Emmanuel Guez by emmanuel guez | #art and money | #web dramaturgy of human beings | #video-recordism | #businesscardism | #google rank theatre | #google art | #blockchainism | #mp4.art | #art statements and namification | #schizophrenic digital subjectivity | #media archaeology of bug | #pre-post-internet tracking | #world of contemporary art | #anti-solipsist spying | #mediarchaeological dating stories | #post-egoportraitism | #near-automated motion capture | #urban dancing people | #homage to on kawara | #waiting-for-godotism | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #minitelism | #theatre | #media archaeology | #post-internet derivatives | #google images endless recursion | #cybertime attention processing | #digital conceptual art | #schlussmitismus | #auction of a website on ebay | #art of opportunity | #google data plagiarism | #exploration of the effects of writing machines | #scrumology for art | #wordpress art & literature | #afterlife writing | #new olympia_ism | #140/twitter philo-poetry | #electronic epic poetry | #blitz writing | #nichtwirklichbecherismus | #appropriation of an exhibition program | #drone & top-down point of view | #portrait | #photo | #web bot solipsism | #pre-metavers delirium | #top-down point of view | #GANism | #post-genderism | #post-chekovism | #long-term performance | #quantified urban landscape | #archaeology of the phone booth | #techno-capitalism hack | #facebook misanthropy | #electronic literature | #from screenshot to dibondism | #recursivitism | #collaborative play writing | #post-mortem web performance | #techno-vampirism | #hidden agenda | #feed & unbodied theatre | #Skype (chat) art | #unsaleable artwork | #internet poetry (blog) | #IRC art | #human bodies interaction | #about bots | #writing machines | #installation art | #praise of invisibility | #appropriation | #jpg patient capture | #digital art market | #art dada visualization | #satoshin science | #human body digitization | #scrumology of s.c.u.mology | #documentation of a disappearance | #self-mirrorism | #happening in Venice | #web performance | #disarchivism | #html [hypertext] | #tumblrism | #big data analysis | #art of conversation | #crypto-telematic art | #sharingism (do share not war) | #facebook solipsism | #infernal media theory | #web performance art | #net art | #screenshotism | #web dramaturgy | #obscuration of an iconic and disappearing place | #archaeology of the future of digital artworks | #self-portraitism | #google theatre | #3Ofism (appropriation Of photographs Of works Of art) | #do you find this really sarcastic? | #heteronymic lifestyle | #experimental reenactment | #narrative | #gmappism | #mediarchaeologist happening | #almost-faked autobiographism | #post-google-translating poetry | #minitel art |