#internet poetry (blog) | #digital telematic art reconstruction | #human bodies interaction | #jpg patient capture | #techno-vampirism | #long-term performance | #nichtwirklichbecherismus | #minitelism | #GANism | #world of art recursivitism | #portrait | #post-egoportraitism | #infernal media theory | #net art | #berlin voyeurism | #art of opportunity | #feed & unbodied theatre | #schlussmitismus | #140/twitter philo-poetry | #mp4 art | #happening in Venice | #web bot solipsism | #web performance art | #near-automated motion capture | #screenshotism | #digital art market | #web dramaturgy of human beings | #new olympia_ism | #google rank poetry | #schizophrenic digital subjectivity | #unsaleable artwork | #about bots | #google rank theatre | #appropriation | #cybertime attention processing | #video-recordism | #pre-post-internet tracking | #google art | #scrumology for art | #3Ofism (appropriation Of photographs Of works Of art) | #web performance | #OhMyGodism | #drone & top-down point of view | #homage to on kawara | #quantified urban landscape | #crypto-telematic art | #art dada visualization | #text-image-data layout | #writing machines | #techno-capitalism hack | #gmappism | #html [hypertext] | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #obscuration of an iconic and disappearing place | #plagiarism of plagiarists | #photo | #praise of invisibility | #media archaeology | #IRC art | #ready-madism | #art statements and namification | #documentation of a disappearance | #installation art | #electronic epic poetry | #minitel art | #archaeology of the future of digital artworks | #web dramaturgy | #waiting-for-godotism | #archaeology of the phone booth | #electronic literature | #appropriation of an exhibition program | #human body digitization | #google images endless recursion | #pre-metavers delirium | #crypto-(poly)-identitism | #post-genderism | #wordpress art & literature | #Skype (chat) art | #artistic writing of philosophy | #businesscardism | #hidden agenda | #sharingism (do share not war) | #mediarchaeologist happening | #theatre | #heteronymic lifestyle | #almost-faked autobiographism | #postproductivism (with a touch of nostalgia) | #facebook misanthropy | #exploration of the effects of writing machines | #post-chekovism | #narrative | #digital conceptual art | #facebook solipsism | #google data plagiarism | #recursivitism | #mediarchaeological dating stories | #mp4.art | #satoshin science | #from screenshot to dibondism | #art of conversation | #urban dancing people | #experimental reenactment | #disarchivism | #afterlife writing | #artistic police method | #ready-made | #auction of a website on ebay | #installation&performance&photos&internet art&video | #post-google-translating poetry | #do you find this really sarcastic? | #scrumology of s.c.u.mology | #world of contemporary art | #entangled theory and performance | #tumblrism | #blockchainism | #anti-solipsist spying | #authorship | #blitz writing | #art and money | #self-mirrorism | #media archaeology of bug | #post-internet derivatives | #top-down point of view | #google theatre | #google hack | #self-portraitism | #big data analysis | #post-mortem web performance | #Emmanuel Guez by emmanuel guez | #collaborative play writing |