#blitz writing | #pre-post-internet tracking | #archaeology of the future of digital artworks | #Emmanuel Guez by emmanuel guez | #waiting-for-godotism | #pre-metavers delirium | #post-genderism | #tumblrism | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #anti-solipsist spying | #appropriation of an exhibition program | #Skype (chat) art | #art of conversation | #140/twitter philo-poetry | #collaborative play writing | #schizophrenic digital subjectivity | #text-image-data layout | #unsaleable artwork | #video-recordism | #narrative | #web performance art | #businesscardism | #hidden agenda | #praise of invisibility | #crypto-(poly)-identitism | #self-portraitism | #google theatre | #auction of a website on ebay | #disarchivism | #ready-madism | #top-down point of view | #urban dancing people | #OhMyGodism | #world of art recursivitism | #net art | #google images endless recursion | #artistic police method | #art dada visualization | #appropriation | #google hack | #digital telematic art reconstruction | #happening in Venice | #writing machines | #mediarchaeological dating stories | #photo | #recursivitism | #google rank theatre | #from screenshot to dibondism | #portrait | #post-google-translating poetry | #internet poetry (blog) | #web bot solipsism | #sharingism (do share not war) | #electronic epic poetry | #documentation of a disappearance | #quantified urban landscape | #post-internet derivatives | #wordpress art & literature | #crypto-telematic art | #postproductivism (with a touch of nostalgia) | #near-automated motion capture | #mediarchaeologist happening | #web dramaturgy of human beings | #almost-faked autobiographism | #facebook misanthropy | #schlussmitismus | #theatre | #cybertime attention processing | #web performance | #do you find this really sarcastic? | #satoshin science | #artistic writing of philosophy | #media archaeology | #long-term performance | #electronic literature | #techno-capitalism hack | #art and money | #big data analysis | #infernal media theory | #human bodies interaction | #minitelism | #screenshotism | #nichtwirklichbecherismus | #human body digitization | #scrumology for art | #mp4.art | #techno-vampirism | #facebook solipsism | #installation art | #html [hypertext] | #jpg patient capture | #post-egoportraitism | #obscuration of an iconic and disappearing place | #digital conceptual art | #afterlife writing | #archaeology of the phone booth | #3Ofism (appropriation Of photographs Of works Of art) | #GANism | #web dramaturgy | #experimental reenactment | #about bots | #media archaeology of bug | #ready-made | #entangled theory and performance | #drone & top-down point of view | #art statements and namification | #google data plagiarism | #post-mortem web performance | #post-chekovism | #feed & unbodied theatre | #authorship | #google rank poetry | #world of contemporary art | #IRC art | #minitel art | #installation&performance&photos&internet art&video | #google art | #mp4 art | #gmappism | #art of opportunity | #plagiarism of plagiarists | #blockchainism | #new olympia_ism | #digital art market | #berlin voyeurism | #exploration of the effects of writing machines | #scrumology of s.c.u.mology | #heteronymic lifestyle | #self-mirrorism | #homage to on kawara |