Tags
#sharingism (do share not war) | #berlin voyeurism | #tumblrism | #quantified urban landscape | #digital telematic art reconstruction | #satoshin science | #facebook solipsism | #techno-capitalism hack | #exploration of the effects of writing machines | #installation&performance&photos&internet art&video | #electronic literature | #art of conversation | #urban dancing people | #google theatre | #long-term performance | #documentation of a disappearance | #IRC art | #digital conceptual art | #cybertime attention processing | #mediarchaeologist happening | #schlussmitismus | #artistic police method | #google images endless recursion | #plagiarism of plagiarists | #minitelism | #authorship | #google data plagiarism | #theatre | #electronic epic poetry | #media archaeology | #hidden agenda | #post-mortem web performance | #appropriation of an exhibition program | #digital art market | #human bodies interaction | #writing machines | #mediarchaeological dating stories | #post-egoportraitism | #self-mirrorism | #art statements and namification | #web dramaturgy | #internet poetry (blog) | #web dramaturgy of human beings | #entangled theory and performance | #net art | #nichtwirklichbecherismus | #art and money | #do you find this really sarcastic? | #archaeology of the future of digital artworks | #blitz writing | #experimental reenactment | #happening in Venice | #jpg patient capture | #collaborative play writing | #businesscardism | #from screenshot to dibondism | #crypto-(poly)-identitism | #techno-vampirism | #self-portraitism | #pre-post-internet tracking | #artistic writing of philosophy | #photo | #post-internet derivatives | #GANism | #mp4 art | #almost-faked autobiographism | #ready-made | #postproductivism (with a touch of nostalgia) | #drone & top-down point of view | #waiting-for-godotism | #OhMyGodism | #google hack | #Emmanuel Guez by emmanuel guez | #post-genderism | #top-down point of view | #narrative | #scrumology for art | #world of art recursivitism | #google rank theatre | #minitel art | #facebook misanthropy | #crypto-telematic art | #about bots | #big data analysis | #mp4.art | #world of contemporary art | #auction of a website on ebay | #art dada visualization | #infernal media theory | #screenshotism | #text-image-data layout | #post-google-translating poetry | #post-chekovism | #installation art | #heteronymic lifestyle | #unsaleable artwork | #anti-solipsist spying | #web performance | #portrait | #video-recordism | #schizophrenic digital subjectivity | #media archaeology of bug | #disarchivism | #web bot solipsism | #scrumology of s.c.u.mology | #3Ofism (appropriation Of photographs Of works Of art) | #new olympia_ism | #art of opportunity | #feed & unbodied theatre | #afterlife writing | #html [hypertext] | #Skype (chat) art | #web performance art | #140/twitter philo-poetry | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #near-automated motion capture | #obscuration of an iconic and disappearing place | #gmappism | #appropriation | #praise of invisibility | #human body digitization | #blockchainism | #ready-madism | #homage to on kawara | #google rank poetry | #wordpress art & literature | #recursivitism | #google art | #pre-metavers delirium | #archaeology of the phone booth |