Tags

#web performance art | #appropriation | #sharingism (do share not war) | #big data analysis | #artistic writing of philosophy | #archaeology of the phone booth | #google data plagiarism | #video-recordism | #happening in Venice | #homage to on kawara | #scrumology of s.c.u.mology | #hidden agenda | #web bot solipsism | #satoshin science | #auction of a website on ebay | #electronic epic poetry | #net art | #about bots | #art of conversation | #post-chekovism | #world of contemporary art | #digital art market | #disarchivism | #obscuration of an iconic and disappearing place | #installation&performance&photos&internet art&video | #mediarchaeological dating stories | #google images endless recursion | #exploration of the effects of writing machines | #do you find this really sarcastic? | #art and money | #experimental reenactment | #praise of invisibility | #anti-solipsist spying | #heteronymic lifestyle | #writing machines | #nichtwirklichbecherismus | #quantified urban landscape | #post-internet derivatives | #installation art | #plagiarism of plagiarists | #html [hypertext] | #Skype (chat) art | #artistic police method | #Emmanuel Guez by emmanuel guez | #web dramaturgy | #IRC art | #businesscardism | #recursivitism | #urban dancing people | #collaborative play writing | #3Ofism (appropriation Of photographs Of works Of art) | #human body digitization | #digital conceptual art | #text-image-data layout | #unsaleable artwork | #140/twitter philo-poetry | #ready-madism | #google rank poetry | #portrait | #near-automated motion capture | #top-down point of view | #google rank theatre | #wordpress art & literature | #drone & top-down point of view | #pre-metavers delirium | #afterlife writing | #google art | #scrumology for art | #long-term performance | #web performance | #waiting-for-godotism | #schizophrenic digital subjectivity | #narrative | #minitelism | #screenshotism | #new olympia_ism | #self-portraitism | #documentation of a disappearance | #post-egoportraitism | #google theatre | #crypto-telematic art | #art statements and namification | #electronic literature | #techno-vampirism | #media archaeology of bug | #authorship | #mp4.art | #web dramaturgy of human beings | #digital telematic art reconstruction | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #from screenshot to dibondism | #blockchainism | #minitel art | #art of opportunity | #facebook misanthropy | #tumblrism | #art dada visualization | #post-google-translating poetry | #human bodies interaction | #self-mirrorism | #blitz writing | #facebook solipsism | #techno-capitalism hack | #GANism | #jpg patient capture | #mediarchaeologist happening | #mp4 art | #feed & unbodied theatre | #archaeology of the future of digital artworks | #cybertime attention processing | #gmappism | #OhMyGodism | #internet poetry (blog) | #google hack | #ready-made | #schlussmitismus | #post-mortem web performance | #postproductivism (with a touch of nostalgia) | #berlin voyeurism | #almost-faked autobiographism | #infernal media theory | #pre-post-internet tracking | #photo | #theatre | #world of art recursivitism | #media archaeology | #appropriation of an exhibition program | #entangled theory and performance | #post-genderism | #crypto-(poly)-identitism |