#wordpress art & literature | #pre-post-internet tracking | #digital conceptual art | #self-mirrorism | #businesscardism | #postproductivism (with a touch of nostalgia) | #exploration of the effects of writing machines | #media archaeology of bug | #techno-vampirism | #jpg patient capture | #google hack | #theatre | #archaeology of the phone booth | #140/twitter philo-poetry | #google art | #ready-madism | #mp4.art | #post-internet derivatives | #art of opportunity | #from screenshot to dibondism | #berlin voyeurism | #photo | #web dramaturgy of human beings | #sharingism (do share not war) | #google rank poetry | #urban dancing people | #art of conversation | #web dramaturgy | #art dada visualization | #human body digitization | #internet poetry (blog) | #drone & top-down point of view | #feed & unbodied theatre | #entangled theory and performance | #world of art recursivitism | #google data plagiarism | #GANism | #do you find this really sarcastic? | #cybertime attention processing | #obscuration of an iconic and disappearing place | #electronic epic poetry | #recursivitism | #anti-solipsist spying | #Skype (chat) art | #almost-faked autobiographism | #heteronymic lifestyle | #screenshotism | #minitelism | #facebook solipsism | #satoshin science | #happening in Venice | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #installation&performance&photos&internet art&video | #writing machines | #tumblrism | #blockchainism | #infernal media theory | #digital art market | #hidden agenda | #crypto-telematic art | #post-genderism | #digital telematic art reconstruction | #disarchivism | #net art | #scrumology for art | #world of contemporary art | #OhMyGodism | #homage to on kawara | #collaborative play writing | #artistic police method | #auction of a website on ebay | #documentation of a disappearance | #ready-made | #video-recordism | #electronic literature | #portrait | #new olympia_ism | #unsaleable artwork | #IRC art | #web bot solipsism | #html [hypertext] | #near-automated motion capture | #mp4 art | #appropriation | #text-image-data layout | #narrative | #self-portraitism | #google rank theatre | #post-chekovism | #authorship | #about bots | #installation art | #praise of invisibility | #minitel art | #crypto-(poly)-identitism | #art statements and namification | #long-term performance | #art and money | #mediarchaeological dating stories | #plagiarism of plagiarists | #web performance art | #techno-capitalism hack | #pre-metavers delirium | #facebook misanthropy | #experimental reenactment | #blitz writing | #post-mortem web performance | #artistic writing of philosophy | #post-egoportraitism | #quantified urban landscape | #schizophrenic digital subjectivity | #human bodies interaction | #google images endless recursion | #google theatre | #Emmanuel Guez by emmanuel guez | #3Ofism (appropriation Of photographs Of works Of art) | #archaeology of the future of digital artworks | #appropriation of an exhibition program | #waiting-for-godotism | #schlussmitismus | #big data analysis | #media archaeology | #gmappism | #scrumology of s.c.u.mology | #nichtwirklichbecherismus | #top-down point of view | #mediarchaeologist happening | #web performance | #post-google-translating poetry | #afterlife writing |