#OhMyGodism | #minitelism | #world of art recursivitism | #google images endless recursion | #cybertime attention processing | #google rank theatre | #html [hypertext] | #auction of a website on ebay | #exploration of the effects of writing machines | #video-recordism | #tumblrism | #gmappism | #google hack | #web performance art | #afterlife writing | #techno-vampirism | #portrait | #facebook misanthropy | #text-image-data layout | #urban dancing people | #almost-faked autobiographism | #heteronymic lifestyle | #post-genderism | #scrumology of s.c.u.mology | #sharingism (do share not war) | #obscuration of an iconic and disappearing place | #art statements and namification | #schlussmitismus | #installation&performance&photos&internet art&video | #collaborative play writing | #authorship | #post-google-translating poetry | #quantified urban landscape | #pre-post-internet tracking | #media archaeology | #top-down point of view | #unsaleable artwork | #mediarchaeologist happening | #scrumology for art | #web dramaturgy of human beings | #pre-metavers delirium | #art dada visualization | #crypto-telematic art | #disarchivism | #schizophrenic digital subjectivity | #google theatre | #blockchainism | #nichtwirklichbecherismus | #Skype (chat) art | #wordpress art & literature | #art of opportunity | #postproductivism (with a touch of nostalgia) | #ready-madism | #plagiarism of plagiarists | #artistic writing of philosophy | #jpg patient capture | #google data plagiarism | #appropriation | #writing machines | #screenshotism | #art of conversation | #techno-capitalism hack | #businesscardism | #about bots | #digital art market | #world of contemporary art | #electronic literature | #post-mortem web performance | #Emmanuel Guez by emmanuel guez | #installation art | #google art | #web dramaturgy | #web bot solipsism | #post-chekovism | #GANism | #archaeology of the future of digital artworks | #post-internet derivatives | #photo | #hidden agenda | #digital telematic art reconstruction | #media archaeology of bug | #theatre | #crypto-(poly)-identitism | #praise of invisibility | #mp4 art | #satoshin science | #entangled theory and performance | #human body digitization | #internet poetry (blog) | #human bodies interaction | #narrative | #drone & top-down point of view | #waiting-for-godotism | #facebook solipsism | #mediarchaeological dating stories | #digital conceptual art | #net art | #archaeology of the phone booth | #long-term performance | #mp4.art | #feed & unbodied theatre | #self-mirrorism | #big data analysis | #artistic police method | #3Ofism (appropriation Of photographs Of works Of art) | #near-automated motion capture | #new olympia_ism | #appropriation of an exhibition program | #IRC art | #art and money | #do you find this really sarcastic? | #google rank poetry | #infernal media theory | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #berlin voyeurism | #ready-made | #minitel art | #post-egoportraitism | #from screenshot to dibondism | #homage to on kawara | #electronic epic poetry | #self-portraitism | #140/twitter philo-poetry | #documentation of a disappearance | #happening in Venice | #recursivitism | #experimental reenactment | #anti-solipsist spying | #web performance | #blitz writing |