#rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #from screenshot to dibondism | #disarchivism | #artistic police method | #writing machines | #mp4 art | #new olympia_ism | #appropriation | #heteronymic lifestyle | #human bodies interaction | #installation art | #html [hypertext] | #scrumology of s.c.u.mology | #tumblrism | #google theatre | #gmappism | #pre-metavers delirium | #OhMyGodism | #post-egoportraitism | #recursivitism | #net art | #self-mirrorism | #businesscardism | #video-recordism | #blitz writing | #documentation of a disappearance | #post-internet derivatives | #140/twitter philo-poetry | #world of contemporary art | #portrait | #almost-faked autobiographism | #cybertime attention processing | #digital art market | #ready-madism | #big data analysis | #internet poetry (blog) | #feed & unbodied theatre | #do you find this really sarcastic? | #facebook solipsism | #crypto-telematic art | #electronic epic poetry | #infernal media theory | #self-portraitism | #ready-made | #waiting-for-godotism | #art and money | #screenshotism | #installation&performance&photos&internet art&video | #anti-solipsist spying | #art of opportunity | #berlin voyeurism | #world of art recursivitism | #unsaleable artwork | #web bot solipsism | #web dramaturgy of human beings | #art of conversation | #google art | #media archaeology of bug | #art dada visualization | #facebook misanthropy | #homage to on kawara | #schlussmitismus | #3Ofism (appropriation Of photographs Of works Of art) | #post-mortem web performance | #hidden agenda | #art statements and namification | #artistic writing of philosophy | #web performance art | #praise of invisibility | #experimental reenactment | #urban dancing people | #nichtwirklichbecherismus | #collaborative play writing | #web performance | #photo | #auction of a website on ebay | #google hack | #quantified urban landscape | #techno-vampirism | #mp4.art | #techno-capitalism hack | #afterlife writing | #authorship | #text-image-data layout | #narrative | #digital conceptual art | #post-genderism | #near-automated motion capture | #satoshin science | #google rank theatre | #web dramaturgy | #theatre | #appropriation of an exhibition program | #happening in Venice | #post-chekovism | #GANism | #media archaeology | #IRC art | #mediarchaeologist happening | #plagiarism of plagiarists | #archaeology of the future of digital artworks | #entangled theory and performance | #drone & top-down point of view | #obscuration of an iconic and disappearing place | #electronic literature | #postproductivism (with a touch of nostalgia) | #digital telematic art reconstruction | #pre-post-internet tracking | #Skype (chat) art | #mediarchaeological dating stories | #minitel art | #google images endless recursion | #wordpress art & literature | #sharingism (do share not war) | #schizophrenic digital subjectivity | #blockchainism | #exploration of the effects of writing machines | #jpg patient capture | #google data plagiarism | #post-google-translating poetry | #archaeology of the phone booth | #google rank poetry | #human body digitization | #about bots | #scrumology for art | #Emmanuel Guez by emmanuel guez | #top-down point of view | #minitelism | #long-term performance | #crypto-(poly)-identitism |