Tags

#rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #infernal media theory | #nichtwirklichbecherismus | #waiting-for-godotism | #blockchainism | #jpg patient capture | #businesscardism | #post-egoportraitism | #video-recordism | #appropriation | #internet poetry (blog) | #google rank theatre | #near-automated motion capture | #entangled theory and performance | #hidden agenda | #installation&performance&photos&internet art&video | #archaeology of the phone booth | #feed & unbodied theatre | #mediarchaeologist happening | #wordpress art & literature | #recursivitism | #homage to on kawara | #techno-vampirism | #satoshin science | #unsaleable artwork | #scrumology for art | #portrait | #facebook solipsism | #web performance | #media archaeology of bug | #drone & top-down point of view | #sharingism (do share not war) | #tumblrism | #Emmanuel Guez by emmanuel guez | #obscuration of an iconic and disappearing place | #blitz writing | #art dada visualization | #electronic epic poetry | #quantified urban landscape | #narrative | #crypto-(poly)-identitism | #art of opportunity | #mp4 art | #ready-madism | #google art | #world of art recursivitism | #scrumology of s.c.u.mology | #pre-metavers delirium | #mp4.art | #screenshotism | #media archaeology | #world of contemporary art | #urban dancing people | #art of conversation | #do you find this really sarcastic? | #photo | #art and money | #theatre | #techno-capitalism hack | #artistic police method | #google rank poetry | #anti-solipsist spying | #almost-faked autobiographism | #afterlife writing | #gmappism | #top-down point of view | #plagiarism of plagiarists | #big data analysis | #web dramaturgy | #self-portraitism | #cybertime attention processing | #facebook misanthropy | #ready-made | #post-chekovism | #collaborative play writing | #mediarchaeological dating stories | #human body digitization | #auction of a website on ebay | #schizophrenic digital subjectivity | #text-image-data layout | #disarchivism | #appropriation of an exhibition program | #html [hypertext] | #web bot solipsism | #about bots | #crypto-telematic art | #experimental reenactment | #minitelism | #schlussmitismus | #electronic literature | #archaeology of the future of digital artworks | #exploration of the effects of writing machines | #authorship | #minitel art | #140/twitter philo-poetry | #web dramaturgy of human beings | #google data plagiarism | #net art | #heteronymic lifestyle | #praise of invisibility | #IRC art | #artistic writing of philosophy | #installation art | #pre-post-internet tracking | #post-google-translating poetry | #digital art market | #post-genderism | #documentation of a disappearance | #happening in Venice | #google images endless recursion | #post-mortem web performance | #3Ofism (appropriation Of photographs Of works Of art) | #writing machines | #new olympia_ism | #GANism | #google hack | #long-term performance | #berlin voyeurism | #human bodies interaction | #from screenshot to dibondism | #self-mirrorism | #post-internet derivatives | #art statements and namification | #OhMyGodism | #digital conceptual art | #google theatre | #postproductivism (with a touch of nostalgia) | #Skype (chat) art | #web performance art | #digital telematic art reconstruction |