#afterlife writing | #web dramaturgy of human beings | #art of opportunity | #portrait | #140/twitter philo-poetry | #artistic police method | #self-portraitism | #installation&performance&photos&internet art&video | #mp4.art | #praise of invisibility | #techno-vampirism | #google rank poetry | #video-recordism | #facebook solipsism | #writing machines | #top-down point of view | #from screenshot to dibondism | #art and money | #digital telematic art reconstruction | #electronic literature | #art dada visualization | #collaborative play writing | #GANism | #satoshin science | #homage to on kawara | #archaeology of the future of digital artworks | #google images endless recursion | #happening in Venice | #web dramaturgy | #minitel art | #archaeology of the phone booth | #drone & top-down point of view | #post-egoportraitism | #post-genderism | #nichtwirklichbecherismus | #long-term performance | #jpg patient capture | #google data plagiarism | #Skype (chat) art | #disarchivism | #mediarchaeological dating stories | #berlin voyeurism | #IRC art | #entangled theory and performance | #narrative | #3Ofism (appropriation Of photographs Of works Of art) | #infernal media theory | #pre-metavers delirium | #human body digitization | #world of art recursivitism | #do you find this really sarcastic? | #authorship | #schlussmitismus | #scrumology for art | #art statements and namification | #feed & unbodied theatre | #world of contemporary art | #documentation of a disappearance | #crypto-(poly)-identitism | #near-automated motion capture | #google rank theatre | #hidden agenda | #waiting-for-godotism | #post-mortem web performance | #exploration of the effects of writing machines | #web performance art | #crypto-telematic art | #anti-solipsist spying | #plagiarism of plagiarists | #tumblrism | #net art | #urban dancing people | #google art | #text-image-data layout | #unsaleable artwork | #minitelism | #heteronymic lifestyle | #installation art | #google hack | #human bodies interaction | #gmappism | #self-mirrorism | #internet poetry (blog) | #mediarchaeologist happening | #facebook misanthropy | #quantified urban landscape | #web bot solipsism | #digital conceptual art | #schizophrenic digital subjectivity | #about bots | #artistic writing of philosophy | #techno-capitalism hack | #google theatre | #pre-post-internet tracking | #obscuration of an iconic and disappearing place | #mp4 art | #digital art market | #art of conversation | #almost-faked autobiographism | #html [hypertext] | #sharingism (do share not war) | #blitz writing | #experimental reenactment | #photo | #ready-made | #recursivitism | #screenshotism | #businesscardism | #post-internet derivatives | #post-chekovism | #appropriation | #appropriation of an exhibition program | #new olympia_ism | #electronic epic poetry | #theatre | #big data analysis | #Emmanuel Guez by emmanuel guez | #post-google-translating poetry | #web performance | #auction of a website on ebay | #blockchainism | #scrumology of s.c.u.mology | #ready-madism | #wordpress art & literature | #media archaeology | #rewriting of Pierre Corneille's Polyeucte + Yahoo! & Meetic.fr screenshots | #media archaeology of bug | #OhMyGodism | #postproductivism (with a touch of nostalgia) | #cybertime attention processing |